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	<title>
	Comments on: Time flight: 1950	</title>
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	<description>We grew up in the 1950s... and loved every minute of it!</description>
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		<title>
		By: Simon Coward		</title>
		<link>https://my1950s.com/time-flight-1950#comment-1</link>

		<dc:creator><![CDATA[Simon Coward]]></dc:creator>
		<pubDate>Sat, 12 Feb 2022 14:33:12 +0000</pubDate>
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					<description><![CDATA[It&#039;s quite fascinating seeing you go so far back that it&#039;s even before my time!

I must confess to being a bit of a fan of Paul Temple, though I have no memory of hearing any of the radio series before around twenty years ago. I think it does grow on you, although Temple himself can be a bit smug at times, which is hardly endearing.

Anton Karas&#039;s theme to The Third Man was something I heard a long time before I&#039;d seen the film. We may have had a record of it, I&#039;m not sure, but I do remember my mum having the sheet music for The Harry Lime Theme, but arranged for the piano. It&#039;s not an acoustic guitar, by the way, Anton Karas was a player of the zither. If you hang around in the 1950s for long enough you may encounter the Australian Shirley Abicair. She was another exponent of that instrument - I&#039;m not sure what it was about the late 40s or early 50s that made them suddenly popular.]]></description>
			<content:encoded><![CDATA[<p>It&#8217;s quite fascinating seeing you go so far back that it&#8217;s even before my time!</p>
<p>I must confess to being a bit of a fan of Paul Temple, though I have no memory of hearing any of the radio series before around twenty years ago. I think it does grow on you, although Temple himself can be a bit smug at times, which is hardly endearing.</p>
<p>Anton Karas&#8217;s theme to The Third Man was something I heard a long time before I&#8217;d seen the film. We may have had a record of it, I&#8217;m not sure, but I do remember my mum having the sheet music for The Harry Lime Theme, but arranged for the piano. It&#8217;s not an acoustic guitar, by the way, Anton Karas was a player of the zither. If you hang around in the 1950s for long enough you may encounter the Australian Shirley Abicair. She was another exponent of that instrument &#8211; I&#8217;m not sure what it was about the late 40s or early 50s that made them suddenly popular.</p>
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